“Spending Time with Young American Taiko Players” by Yuki Hirata

Photo: Takashi Okamoto

I met three sixteen-year-old taiko players who were born and raised in the USA.

They first encountered taiko through a community group when they were in elementary school.
They love taiko and all still play.

These young US taiko players were so interested to meet taiko players from Japan.
They asked us questions like:

“When and how did you get into playing taiko?”
“What kind of practice do you do?”
“Do you compose songs?”
“The way you use your body to play frisbee is similar to how you use it to play taiko, don’t you think? (This one was from a frisbee player)

Photo: Yui KamiyaAt our exchange event

Most of our one and a half hour chat was a barrage of questions from them.

When I had the chance, I asked them, “What is it about taiko that you like?”
One of them answered, “The sound of our taiko makes the audience smile and feel happy. How cool is that? That makes me really happy. Also, I like the vibrations you feel in your body when you play.”

Then the three of them said, “Most of all, playing taiko is fun!”

Seeing them talking happily about taiko with a sparkle in their eyes reminded me that all taiko players have something important in common: that feeling of enjoyment when we play.
Taiko is fun!

Photo: Koji MiyagiWorkshop in Boulder, Colorado

The appeal of taiko has reached places far away from Japan.
In completely different environments, taiko players around the world are hooked on the same instruments as us.
We’re all crazy about taiko.

Photo: Yui KamiyaAt an exchange event

The taiko community is expanding around the world.
Let’s connect more and more, and make the good vibrations of taiko reach further and further.

Photo: Takashi Okamoto

 

“Kodo One Earth Tour 2019: Evolution” North America Tour


“Martin’s Birthday” by Tomoe Miura

Feb. 16, 2019

Happy Birthday, Martin!

Hello from Los Angeles in chilly North America!

We’ve been enjoying ourselves here, eating our first Japanese food in a while in Little Tokyo, going shopping, and so on.

Photo: Koji Miyagi

Free time for practice and warm ups at Walt Disney Concert Hall 

In L.A., we performed at Walt Disney Concert Hall on the birthday of our indispensable technical director Martin. His birthday has become a regular pre-Valentine’s Day event on our foreign tours!

Photo: Yui Kawamoto

Martin has been touring outside Japan with Kodo since 2007. As our technical director, Martin gives directions to the staff at each theater and operates our lightning. He is an essential member of our team.

This year, my fellow cast member Issei was in charge of organizing Martin’s birthday surprise. He started planning the surprise from about a week before and liaised with our tour managers in preparation for the big day.

Photo: Yui Kawamoto

Issei, the surprise organizer, studying hard to memorize his lines in English.

At the end of the rehearsal at Walt Disney Concert Hall, he arranged for there to be a request to rehearse one piece, Yuyami, again. Backstage, there would be a cake covered with strawberries, Martin’s favorite, and the staff would light all the candles quickly when they heard the cue. (We got special permission from the venue to use candles inside the venue.)

Photo: Yui Kawamoto

When the rehearsal ended, Martin looked like he was heading backstage so one of the managers frantically stopped him, saying they needed to run through a certain piece one more time. The performers quickly did the necessary set change on stage. Martin changed the lighting to the setting for Yuyami, and it was time for the surprise to begin!

▼ If you’d like to listen to Yuyami, click play below.

Usually performers with flutes would enter for stage left and right, but this time the flutes came in from stage left and a cake with flickering candles appeared from stage right. Issei recited a birthday message for Martin to the music of Yuyami. At the end of his speech, he gave a cue and all the cast members sang “Happy Birthday” together.

Photo: Yui Kawamoto

We gave Martin a card signed by all of us. The surprise was a big success! I could tell by the lovely smile on Martin’s face.

Photo: Yui Kawamoto

Happy Birthday, Martin! Thank you for everything.
We look forward to the rest of the tour with you!

Yuyami is featured on Kodo album “Kaden”
Available from Kodo Online Store

“Kodo One Earth Tour 2019: Evolution” North America Tour


“School Performances in North America During the ‘Evolution’ Tour” by Jun Jidai

Photo: Takashi Okamoto

After our opening night in Las Vegas, we had back-to-back performances for three days in Berkeley, California.

On the first two days, we performed “Evolution.” Then on Day 3, we changed into our indigo-blue Kodo costumes and gave a completely different performance at the same theater: a program especially for school children.

The audience was made up of almost 2000 students from local schools, elementary through high school. Eight cast members from “Evolution” delivered this school performance: Kengo Watanabe, Ryoma Tsurumi, Tomoe Miura, Issei Kohira, Yuta Kimura, Chihiro Watanabe, Taiyo Onoda, and I.

It was a really exciting experience for only eight of us to give a performance in such a massive hall!

Photo: Takashi Okamoto

During our school performances, we take turns speaking to the audience during the program. Because we’re in the USA, that meant whenever we were the MC, we had to speak in English. We all had the extra challenge of giving our self introductions in English, too.

It’s my first time giving School Performances overseas. My goal is to communicate with our audiences through taiko, fostering meaningful exchange beyond language and culture.

Photo: Takashi Okamoto

We also have School Performances in Hanover, Amherst, Burlington during this tour. We’ll give our all to this challenge alongside our theater performances.

Photo: Takashi Okamoto

“Kodo One Earth Tour 2019: Evolution” North America Tour


 

“Voices” by Taiyo Onoda

Photo: Eri uchida

Our 2019 North American tour’s second and third shows were held at Berkeley, a city close to my heart.

Photo: Yui Kamiya

Many, many friends and family came to support me, since it’s close to my hometown San Francisco and my alma mater. Both shows, I got caught off guard by the amount of cheers I got during the curtain call, and I got a bit teary, too.

Photo: Takashi Okamoto

Like the performance I appeared in last November, it is the most nerve-wracking experience to perform in front of a home crowd. The more I think about the people that know me, the more I pressure myself to show how I’ve grown. However, this time I was able to let go of that thought and be as natural as possible. I aimed to be myself, believing that I’ve grown.

Photo: Takashi Okamoto

The tour has just begun. Many challenges will surely arise, but I’ll take them all on and move forward, step by step. I’ve received the energy to do so from the voices of my friends and family.

Photo: Takashi Okamoto

Photo: Yui Kamiya

Taiyo Onoda surrounded by members of San Francisco Taiko Dojo, San Jose Taiko, and his family.

“Kodo One Earth Tour 2019: Evolution” North America Tour


KODO “LUMINANCE” PROGRAMME TIDBITS

Shine a Light Sets the Scene

LUMINANCE opens with Shine a Light, a piece composed by Kodo’s Yuki Hirata in 2019 that embodies his hope for a much brighter future for Kodo. Soon after, as the 2020 pandemic took hold, those hopes for a promising future were something everyone was clinging to all over the globe.

The sound of flutes emerge from the darkness, then dazzling light heralds in a formidable taiko ensemble. The powerful opening serves as a beacon, delivering a message of hope: no matter how hard things get, the future will be brighter. Shine a Light’s composer Hirata is the artistic director of LUMINANCE. While he has directed several Kodo performances in Japan, their Europe 2026 tour marks his international directorial debut.

 

New Taiko Inspired by Stride

Photo by Takashi Okamoto

This catchy piece by Kodo’s Mitsuru Ishizuka features performers dancing to the beat as they play katsugi okedo taiko—barrel drums carried on a shoulder strap. Originally composed for one of Kodo’s album recordings, when the ensemble later prepared to play it on stage, they found the need for drums that allowed them to move about more dynamically. So Kodo contacted their trusted taiko maker and they worked on creating a new type of okedo taiko together. Most okedo taiko are made from Japanese cedar, but for this drum, the taiko maker switched the timber to a lighter, thinner paulownia, making it easier to beat either side of the drum. They used horse hides on both sides, which they processed to be thinner and lighter than usual, too. When you see the performers get into the groove with Stride, you’re bound to find yourself moving along with them, too.

 

The Origins of Miyake and Kodo’s Adaptations

Photo by Takashi Okamoto

Kodo’s Miyake is based on the taiko that accompanies a portable shrine carried from door to door during a festival on Miyake Island, south of Tokyo. Kodo members were first taught these rhythms in 1982 during a visit to the Kamitsuki region of the isle. With permission, Kodo arranged it for the stage and has been performing this taiko music ever since. Kodo’s Miyake differs from the original festival accompaniment in various ways. One is the number of taiko used: Kodo often performs this piece with three miya-daiko drums, while on Miyake Island, they play just one taiko at the festival, with people subbing in and out to keep the rhythms going all day long. Kodo’s arrangement for the stage is synchronized and has uniform movements, but on Miyake Island, the rhythms and forms change from player to player. Another interesting difference is that the locals stand with their legs apart and sink into a deep squat to play the base rhythm, whereas Kodo members crouch down and have one knee resting on the ground. The reason is apparently that when Kodo first encountered this style of drumming on the island, the people playing happened to get tired and put one knee down to steady themselves. If you ever have the chance to visit Miyake Island during their annual festival, you’ll see how this strong taiko beat encourages people as they carry the heavy portable shrine throughout their town.


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