“Open Call for Hana Hachijo—WTC Version Submissions” by Chieko Kojima

Hana Hachijo: Infinity Project
—Making Taiko Rhythms Bloom Like Flowers Around the World—
Open Call for Hana Hachijo—WTC Version
Submissions for Video Collaboration!
Submission Deadline: Extended to Nov. 9!


The inaugural World Taiko Conference (WTC) will be held in November this year. I decided to share my signature piece, Hana Hachijo, as part of this event. I created it 21 years ago, based on a traditional folk art, Hachijo Daiko, from Hachijo Island south of Tokyo. “Hana” means flower in Japanese, and my piece incorporates rhythms from Hachijo with dance-like movements that add beauty, grace, and color.

I have traveled the world with “Hana Hachijo,” sharing its seeds with many people to date. With each encounter, I hoped those seeds would one day bloom as a unique flower when each individual played their own rendition of Hana Hachijo.
To commemorate the first WTC in Japan, I would like to start a baton relay that connects our Hana Hachijo flowers around the world. Please play Hana Hachijo, share your rendition, and pass on the baton by using the hashtag #hanabaton. Let’s pass it right around the world!

Please submit a video of you playing “Hana Hachijo,” using the videos below as a guide. There are two versions: one without metronome clicks and one with metronome clicks.

We will compile all the videos we receive to create one collaborative “Hana Hachijo” video featuring everyone. We are going to submit this final video as an exhibition at Niigata Prefectural Cultural Festival in November. After it is shown at the festival, I will share the video on social media for everyone to enjoy. WTC and Kodo will share it, too.

I’m looking forward to receiving everyone’s “flower baton” videos! Thanks in advance for taking part!

*This collaborative video is scheduled to be shared on Nov. 18, 2020 on the Niigata Prefectural Cultural Festival “Niigata Stage Channel” on YouTube. 

Details about World Taiko Conference Song Submission:

My Kodo Discography Pick 12 | Tomoe Miura: TATAKU BEST OF KODO II 1994-1999 (Album)

Tomoe Miura

My favorite CD is “TATAKU BEST OF KODO II 1994–1999.” It was bought for me in elementary school. We would often listen to it in the car on family drives. My favorite songs on the CD are Itsuka Mata, Song of the Universe, and Ao-ki Kaze (Wind from the Steppes), and I would listen to them on repeat, over and over.

I have lots of great memories of this CD. I would skip SHAKE —even though I like the song— to listen to Itsuka Mata, and sing along with Yoko on Niji no Nagori (Rainbow Traces).

Since joining Kodo I’ve had a lot of chances to play Ao-ki Kaze, but I still can’t play it as well as I want to. It’s so frustrating… it’s really not an easy piece to master. But I’ll keep trying.

This album features a special selection of great songs from the 90’s. Please give it a listen!


↓Listen to sample tracks


↓Buy at Kodo Online Store


“Martin’s Birthday” by Tomoe Miura

Feb. 16, 2019

Happy Birthday, Martin!

Hello from Los Angeles in chilly North America!

We’ve been enjoying ourselves here, eating our first Japanese food in a while in Little Tokyo, going shopping, and so on.

Photo: Koji Miyagi

Free time for practice and warm ups at Walt Disney Concert Hall 

In L.A., we performed at Walt Disney Concert Hall on the birthday of our indispensable technical director Martin. His birthday has become a regular pre-Valentine’s Day event on our foreign tours!

Photo: Yui Kawamoto

Martin has been touring outside Japan with Kodo since 2007. As our technical director, Martin gives directions to the staff at each theater and operates our lightning. He is an essential member of our team.

This year, my fellow cast member Issei was in charge of organizing Martin’s birthday surprise. He started planning the surprise from about a week before and liaised with our tour managers in preparation for the big day.

Photo: Yui Kawamoto

Issei, the surprise organizer, studying hard to memorize his lines in English.

At the end of the rehearsal at Walt Disney Concert Hall, he arranged for there to be a request to rehearse one piece, Yuyami, again. Backstage, there would be a cake covered with strawberries, Martin’s favorite, and the staff would light all the candles quickly when they heard the cue. (We got special permission from the venue to use candles inside the venue.)

Photo: Yui Kawamoto

When the rehearsal ended, Martin looked like he was heading backstage so one of the managers frantically stopped him, saying they needed to run through a certain piece one more time. The performers quickly did the necessary set change on stage. Martin changed the lighting to the setting for Yuyami, and it was time for the surprise to begin!

▼ If you’d like to listen to Yuyami, click play below.

Usually performers with flutes would enter for stage left and right, but this time the flutes came in from stage left and a cake with flickering candles appeared from stage right. Issei recited a birthday message for Martin to the music of Yuyami. At the end of his speech, he gave a cue and all the cast members sang “Happy Birthday” together.

Photo: Yui Kawamoto

We gave Martin a card signed by all of us. The surprise was a big success! I could tell by the lovely smile on Martin’s face.

Photo: Yui Kawamoto

Happy Birthday, Martin! Thank you for everything.
We look forward to the rest of the tour with you!

Yuyami is featured on Kodo album “Kaden”
Available from Kodo Online Store

“Kodo One Earth Tour 2019: Evolution” North America Tour

[Kodo Next Generation] “The Tour Finale” by Tomoe Miura

Photo: Takuro SusakiHello, everyone!
Ten days has passed since we arrived in Paris. We’ve enjoyed nice weather and the feel-good breeze that blows through the Bois de Vincennes.

Photo: Takuro Susaki

Many things happen each day that remind me how inexperienced I am, but I know am still very early on in my career. This experience here in Paris is a seed that will grow. I feel determined to do my best in life as a taiko performer. That seed, that drive, I carry them on stage with me to face each new performance.

Photo: Takuro SusakiFor ten days, we have been based at Théâtre du Soleil in the Bois de Vincennes in suburban Paris. Both our accommodations and our performances have been on site.

Photo: Takuro SusakiThe members of the Théâtre make our meals and take good care of us on and off stage. Thanks to them, we can rest assured each day that our daily life and our performances are in great hands.

Photo: Takuro Susaki

Photo: Takuro Susaki

Even if we had a tough day for some reason or other, their delicious meals and their warm smiles always saved the day.

Photo: Takuro Susaki

Thanks to Ariane Mnouchkine, the director of Théâtre du Soleil, and the entire company, we have made it to the day of our finale. Thank you all very much!

Photo: Takashi OkamotoOnly one performance to go. I’ll give 200% again today, right until the very last beat!

Photo: Takuro Susaki

Kodo Next Generation (France)

Photo: Takashi Okamoto

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