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“Deep into the Woods of Japanese Culture” by Melanie Taylor

This month Kodo is performing at Kabukiza Theatre as musicians for the new Kabuki production “Yugen.” It’s based on the sellout Tamasaburo Bando and Kodo collaboration last year, which went by the same name. Both the 2017 production and 2018 Kabuki are based on three iconic Noh plays: The Feather Robe, The Stone Bridge, and Dojoji Temple.

So, why see a new Kabuki work based on a collaboration based on Noh?
In short, this production is a trip to a deep, dark, intriguing part of Japan that you won’t find on TripAdvisor or the like.
You may not realize it from the flier, but this is your chance to go off the beaten track and deep into the woods of Japanese culture.

I saw last year’s version three times, and this year’s twice so far. I’m going back for a third time before it ends on Sep. 26. There’s something quite addictive about the world they conjure on stage and I feel compelled to go again while I have the chance.

In all honesty, this is unlike any Kabuki I’ve ever seen, and I’ve been fortunate enough to attend quite a few performances at Kabukiza Theatre over the past decade.
The big difference for me is probably the powerful beat. There is something about twenty Kodo performers on that immense stage playing with such soul and precision that draws you in and carries you away with more force than usual. As if connecting the audience to the stage on a primal, foot-tap inducing level, I felt the addition of more drums and new music made the Kabuki less foreign and more superhuman than usual. Prepare to be stunned by the power, grace, and presence of the actors. It’s extraordinary and breathtaking.

Quite simply, Yugen is a spectacular, entertaining event that will show you Japanese culture with splendour and intensity, give you goosebumps, make your jaw drop and your heart beat in time with the stage and audience members.
While it might be the most Japanese experience you’ll have in Japan, I suspect you’ll also leave feeling more connected to the humans all over the world. I can’t help but thinking that human beings doing their best on stage, right before our eyes, inspire us all the more in whatever we strive to do each day. In an age of YouTube and people happy to watch a DVD if they can’t attend a performance, “Yugen” reminds us of the many roles of the theater: to delight, to surprise, to remind us of human effort and ability, and to recharge our souls. I could go on.

I don’t want to add any spoilers, so I’ll just urge you once more: if you’re in or near Tokyo, I really hope you can see this performance.

And I invite you to share your feedback after you attend.
Kodo will be using this valuable experience to inspire our new compositions and productions, so we would appreciate your insight to help us entertain you all the more!

Kodo Appearance in New Kabuki Production “Yugen” at Kabukiza Theatre September Kabuki Performances [Evening Show] (Chuo Ward, Tokyo)

Photos: Takashi Okamoto
Stage Production: Shochiku Co. Ltd.
All rights reserved.

“KASA/MIX 2018” by Yui Kamiya

KASA/MIX was held once again this year on Sado Island!
This is a week-long biennial program geared for taiko players from abroad.

Photo: Yui Kamiya
This program not only features an exclusive time at Kodo’s Apprentice Centre with the apprentices, but also gives a chance to experience the beautiful nature of Sado and the craftsmanship of Kodo and the Japanese culture.
This year, we had participants join from a record breaking number of 7 countries with 22 people representing all over the world!

Photo: Yui Kamiya
We had people from the U.S., Canada, Australia, U.K., Italy, Germany, and Singapore, all with unique taiko experiences and loads of energy.

Photo: Yui Kamiya

The trip began in Kanazawa, where we all did some sightseeing together. Next we visited Asano Taiko for a tour of their workshop space, and we also took some lessons on mini-taiko making and Odaiko taught by Akemi Jige.

Then, we traveled to Sado Island and headed to Kodo Apprentice Centre.
Even before meeting the KASA/MIX participants, the Apprentices seemed very nervous and worried as they were not necessarily confident in their English language and communication skills.
But all of those worries blew away once everyone arrived, of course, because there was so much joy and excitement filling the air!

Photo: Yui Kamiya

Three nights and four days were spent at the Apprentice Centre, and the workshops were conducted by Kodo’s performing members.

Photo: Yui Kamiya
Yoko Fujimoto’s Voice Circle brought everyone’s voices and energy together.

Photo: Yui KamiyaPhoto: Yui Kamiya
And Tomohiro Mitome’s odaiko bachi making and taiko basics workshops gave everyone a better sense of craftsmanship and the way we play taiko.


Yoshie Abe’s katsugi okedo workshop not only showed the basics of playing this particular style, but to also how to move around elegantly with the drum.

Photo: Yui Kamiya Photo: Yui Kamiya
And lastly, Yoshikazu Fujimoto’s odaiko workshop gave everyone time to play on the large drums with all their might.

Photo: Yui Kamiya

During the program, KASA/MIX participants ran with the Apprentices every morning…

Photo: Yui Kamiya

…and experienced the great nature and fresh air of Sado that surrounds the facility.

Photo: Yui Kamiya
We played games together, and ate meals together like a big family.

Photo: Yui Kamiya Photo: Yui Kamiya
For the Apprentices, cleaning time may have been a dreaded activity in their daily schedule, but doing their chores together with KASA/MIX participants made them much more fun.

Photo: Yui Kamiya

At night, we had KASA/MIX participants share their stories and experiences of taiko in their home country.

Photo: Yui Kamiya
Since this was many of the apprentices’ first time to be exposed to taiko outside of Japan, this was a valuable time for them to learn what is out there in the broader world. We also had one-on-one conversation sessions where the apprentices did their best to communicate in English and use body language to talk to their new friends from abroad.

Photo: Yui Kamiya
Activities like these make KASA/MIX so special, and create a remarkable experience for the apprentices, as they overcome language barriers and connect with everyone through taiko and heart to heart.

Photo: Yui Kamiya
Photo: Yui Kamiya

Taiko may have come from Japan, but it is also now a worldwide sensation.

As “taiko” continues to grow globally, I feel that KASA/MIX also grows as a program along with it. KASA/MIX helps our future Kodo performers make friends all over the world, even before they make their debut as a performing member.

Photo: Yui Kamiya

Photo: Yui Kamiya

KASA/MIX is only offered once every two years, which means that the apprentices only get to experience it once during their two-year apprenticeship.

This experience has definitely opened up many opportunities for these young adults, and we truly thank you all of you who took part in the program this year.
It was so much fun, and we really look forward to seeing you all again!

Photo: Yui Kamiya

See you again soon!

Photo: Yui KamiyaPlease follow KASA (Kodo Arts Sphere America) on Facebook: https://www.facebook.com/kodoarts/
For those of you who are interested in participating our next KASA/MIX, please email kodoarts@earthlink.net to register your interest.

Yui Kamiya, KASA/MIX Staff Member


Kodo Apprentice Centre
https://www.kodo.or.jp/apr

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[Kodo Next Generation] “Merci!” by Mio Teycheney-Takashiro

July 23, 2018Photo: Takuro Susaki

Our two-week-long residence at Théâtre du Soleil has flown by and our final performance is over.

Thanks to everyone’s support we welcomed full houses every day, in fact it was more than full on the final day with over forty people on the waitlist. So, we invited those people in to sit in the aisles and on extra benches so they didn’t miss out.

Photo: Mio Takashiro

When the curtain call rolled around, we saw many members of the Theatre gathered alongside the seating area. During our encore number, they looked like they were having a great time dancing and embracing each other.

Photo: Takuro Susaki

I am truly happy that we were able to carry out this performance series in Paris with the warm support of so many people.

Photo: Mio Takashiro

I am writing this post the day after the finale. Today we have been packing our instruments and bags, tidying up, and cleaning. While I am feeling grateful for the wonderful time we have had here, I also feel sad knowing that our stay at Théâtre du Soleil is about to end.

Photo: Takuro Susaki

Both the cast and production staff for “Kodo Next Generation” are young, so my role was to support them. I watched over them every day.

They are the next generation of Kodo and they are brimming with passion, energy, and joy. I feel that the future is in good hands. This residence with them in Paris was an exciting, valuable experience for all of us.

Photo: Takuro Susaki

The time we all spent at this utopia, Théâtre du Soleil, is like a precious seed. I am already looking forward to seeing the fruit it bears in the years to come.

Lastly, on behalf of Kodo, I would like to express our heartfelt gratitude and respect to Ariane Mnouchkine of  Théâtre du Soleil for inviting “Kodo Next Generation” to France.
Merci beaucoup!!!

Photo: Takuro Susaki

 

Mio Teycheney-Takashiro, Production Manager

Kodo Next Generation (France)


Photo: Takashi Okamoto

“Applications Close Soon for Kodo Juku 2018” by Misato Akazawa

“Kodo Juku” is a 4-day, 3-night live-in workshop at Kodo Apprentice Centre, surrounded by lush nature on Sado Island.
Eiichi Saito’s Kodu Juku Taiko Workshop began in 1992. Ever since, Saito has led these workshops with overt enthusiasm, sharing his passion for taiko and facilitating self discovery and new connections through this powerful resonant instrument.

At Kodo Juku, you’ll experience the daily life of Kodo apprentices. It promises to be a memorable escape from your usual life!

No taiko experience is necessary, just come along and give it a go.
We hope you’ll apply!

Apply for Kodo Juku 2018↓
https://www.kodo.or.jp/en/performance_en/performance_ws_en/10716

*Note: Workshop will be conducted in Japanese.

“Ready for the 2018 ‘Michi’ Japan Tour” by Naomi Iseki

June 8, 2018Photo: Erika Ueda
Photo: Erika Ueda
Today we had our dress rehearsal at Kyoto-fu Chutan Bunka Kaikan in Ayabe, Kyoto. We have been working tirelessly to create and rehearse this programme and now it’s time to share it with audiences all over Japan. See you at a theater near you!

Kodo Special Concert 2018 “Michi” Japan Tour


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