“My Last Tour” by Maya Minowa

We’re over halfway through our “MEGURU” Japan Tour.

Photo: Takashi Okamoto

This is my last tour with Kodo.

Ten years has passed since my first encounter with Kodo, in Brazil in the spring of 2008…

Photo: Takashi Okamoto

Since then I’ve made so many one-of-a-kind connections.

Photo: Taro Nishita

Maya as a Kodo apprentice

Photo: Taro Nishita

Maya as a Kodo apprentice

Photo: Taro Nishita

Maya as a Kodo apprentice

Photo: Takashi OkamotoPhoto: Takashi OkamotoPhoto: Takashi Okamoto

ロシア・日本平和友好フェスティバル(岩田守弘氏共演)

(C)テレビ朝日

Photo: Maiko Miyagawa

Photo: Takashi Okamoto

I am filled with gratitude to have found Kodo and for all the connections I’ve made ever since that first encounter. I’ll do my very best on stage for the remaining performances of the tour.

Photo: Takashi Okamoto Photo: Takashi Okamoto

 

MEGURU (Japan Tour)

Dec 15 (Sat), 2018 Chofu-shi Green Hall (Large Hall), Chofu, Tokyo
Dec 16 (Sun), 2018 Fussa Shimin Kaikan Main Hall (Mokusei Hall), Fussa, Tokyo
Dec 19 (Wed)–Dec 23 (Sun), 2018 Bunkyo Civic Hall (Main Hall), Bunkyo Ward, Tokyo

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#鼓童 #kodo 鼓童特別公演2018「道」 #蓑輪真弥 #カーテンコール #アンコール Kodo Special Concert 2018 “Michi” Japan Tour 公演スケジュール 7.14(土) 栃木県宇都宮市 栃木県総合文化センター 7.16(月) 山形県山形市 シベールアリーナ 7.18(水) 宮城県仙台市 東京エレクトロンホール宮城 7.20(金) 岩手県大船渡市 大船渡市民文化会館 リアスホール 7.26(木) 北海道札幌市 わくわくホリデーホール(札幌市民ホール) 7.29(日) 青森県八戸市 八戸市公会堂 8.01(水) 福島県いわき市 いわき芸術文化交流館(いわきアリオス)中劇場 8.03(金) 茨城県ひたちなか市 ひたちなか市文化会館大ホール 8.04(土) 群馬県伊勢崎市 伊勢崎市文化会館(大ホール) 8.05(日) 東京都小平市 ルネこだいら 大ホール https://www.kodo.or.jp/performance/performance_kodo/6786 鼓童 道 で検索! #taiko #太鼓 #drummers #wadaiko #drum #instagood #japaneseculture Photo by @takashi_okamoto on Instagram #kodomichi

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“Traveling with Taiko” by Kengo Watanabe

Photo: Takashi Okamoto

Four years have passed since I became a Kodo member. Looking back, I see that all I could focus on was myself for those four years.

Photo: Takashi Okamoto

Where was I?
Who was coming to see our performance that day?

I thought I knew where I was and who I had met, but looking back, I probably didn’t really understand it all.

I visited many different places and encountered new people, culture, scenery, and sounds in each town.

Photo: Takashi Okamoto

Each and every day, we experience each place and express the sensations we encounter as sound on stage.
I think the experiences we have in each place are a very important part of traveling with taiko like we do.

 

“Taking Taiko to Schools” by Ryoma Tsurumi

Kodo’s new production “MEGURU” is on tour in Japan right now!

The director, Yuta Sumiyoshi, became a Kodo member not long before I did, so I am really interested to see how this work is received by all of you throughout Japan!

Meanwhile, I’m currently on tour giving Workshop Performances at schools throughout Japan. These concerts are mainly held as an opportunity for students to appreciate performing arts.

Our performances at schools differ from our theater performances in many ways. For one, there isn’t such a clear boundary between the stage and the audience in a gymnasium, and for two, we don’t have lighting to set the scene.

The biggest difference is the audience. At theaters, the audience is made up of people who are interested in our performance and paid to come along, but at schools, the audience is all children who are there as part of their lessons, with different feelings about being there.

I think the taiko concerts we give at schools are meaningful for various reasons.
Firstly, they provide an opportunity for children today to learn find out about a traditional Japanese instrument.

Photo: Takashi Okamoto

Secondly, the performances give children a chance to see people who have thrown themselves into doing something they love and pursued it as a career, which gives them an opportunity to consider their own future paths.

And for us, it’s an opportunity for new people to hear about Kodo.

These days, we can find out about anything we are interested in by searching online, but the downside to that is that if we don’t search for something, we don’t find out about it so easily. Also, we can watch and listen to anything we like on TV or online, so we tend to be easily satisfied by just watching screens.

No matter whether it’s acting, performing, or online shopping, seeing something via a screen and watching something live or in person is completely different.


I think that is particularly true for Japanese drums. No matter how good a surround system is, it simply can’t recreate nor convey the echo of live taiko resonating in your body.

That’s why we travel to schools to meet children, who wonder “What’s Kodo?” and “Is ‘taiko’ a festival?”, so they can see taiko firsthand and listen to it live. I think that is a really meaningful thing to do!

If the children who listen to our performance take an interest in taiko or our group, then I am really happy.

We are constantly striving to make each programme and performance better than ever. We always have that challenge on our minds.

But it doesn’t matter if we do something great or we do something bad if no one is interested enough to come and see what we’re doing. If no one is there to watch, we don’t know if something is good or bad.

So, we tour and perform all over Japan in the hopes of connecting with even one new person each day, hoping they be interested in what we do and want to see us again.

To our blog readers, I hope you’ll come and see Kodo perform, too! Each performance has a unique feel, so please come and enjoy yourself. I also encourage you to share your feedback and impressions with us afterwards.

OK, it’s a new day and another performance awaits!
HERE WE GO!!!

School Workshop Performances

 

“A Visit to the Chappa Makers” by Yuki Hirata

The chappa (cymbals) that Kodo uses on stage are an original design that emerged from a collaboration between craftsmen and Kodo performers. Both parties honed the cymbals through trial and error, paying careful attention to details such as the materials, thickness, shape, and rings.

The other day, we paid a visit to these chappa craftsmen.

When we arrived at their workshop, we found them hard at work.
They shape each round flat metal plate into a precious cymbal by hand, one at a time.

One of the processes they use is metal spinning, where they spin the metal and press down on it firmly with a rod to shape it. This technique allows them to process the metal so there is no unevenness in the thickness of the plate.

Once the metal is shaped, they take it to their polishing workshop. They beautifully polish the cymbal, then attach a seamless metal ring, which is carved from a metal rod. Then the cymbal is ready for the Kodo stage, or for sale to the public.

When I met the craftsmen in person, I really felt their enthusiasm.

I felt the same enthusiasm and energy we have as performers, both when we create a performance and when we play taiko.

It’s all about making something good.
Doing the best work you can do.
Thinking about how to make something even better this time around.
Doing a better job.

When the craftsmen saw us off, they said, “We’ll keep doing our best, too.”

Photo: Erika Ueda

This visit to the cymbal workshop made us vow to do our very best to create good sound with the chappa.
We’ll keep doing our very best, just like the craftsmen.

 

Kodo Online Store in English | Chappa (Cymbals) 5 [go]-sun size
http://kodo.shop.multilingualcart.com/goods_en_jpy_5.html

“Back Where It All Began” by Junior Member Taiyo Onoda

Photo: Yui Kamiya

This year marks the 50th year of taiko in the United States. It all began in 1968, with the opening of Grandmaster Seiichi Tanaka’s San Francisco Taiko Dojo.

Photo: Yui Kamiya

I started playing taiko under Tanaka-sensei (Mr. Tanaka) when I was 8. Through the training, I was connected to many leaders of the American taiko community. With their support, I decided to apply for the Kodo Apprenticeship Program when I was 22.

This is the third year since I left for Japan. I had the honor of participating in San Francisco Taiko Dojo’s 50th Annual International Taiko Festival as a Kodo junior member on November 10th and 11th. There were many guest performers with connections to Tanaka-sensei from all over the world, making the whole performance four and a half hours long.

Photo: Yui Kamiya

The finale piece consisted of the guests soloing on the odaiko (big drum), one after another. With all the performers’ emotions overflowing, the piece became a 45-minute-long masterpiece.

Around the performance, I was able to enjoy exchange with San Jose Taiko and KASA.

Photo: Yui Kamiya

It was very nerve wracking to perform in front of this home crowd for the first time in three years. So much so that I had a migraine during the rehearsal…
But for the performance, I believe I was able to calmly present my natural self. Hopefully I was able to demonstrate how much I’ve changed.

Photo: Yui Kamiya

I brought back many words of encouragement, and of course, hugs.
It’s only a few more months until the final selection, when Kodo chooses which junior members can become fully-fledged performers.
My friends gifted me the strength to keep pushing myself. I am looking forward to greeting everyone again with a smile during the US tour next year.

Photo: Yui Kamiya

Nov. 10 (Sat) & 11 (Sun), 2018 Taiyo Onoda Guest Appearance at “50th Anniversary International Taiko Festival” (San Mateo, CA, USA)

 

 


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