Happy New Year

Jan. 1, 2024

New Year’s Greeting from Kodo Ensemble Leader Yuichiro Funabashi

I wish you all a very happy new year.
I would like to take this opportunity to express my gratitude to everyone who offered us their support throughout the past year. Thank you very, very much.

Last year, we toured in the USA and Canada with “Kodo One Earth Tour: Tsuzumi” and China with “Kodo One Earth Tour: Warabe,” returning to these countries for the first time in four years. Here in Japan, we toured with main stage productions “Calling,” “Shoso,” and “Cycles,” as well as our School Workshop Performance tours. We also held three concert series here on Sado in the spring, summer, and autumn. We enjoyed a wide range of thrilling collaborations, which included: “Yugen” with Kabuki actor Tamasaburo Bando, “Oni” with Niigata dance company Noism, “Hatsune Miku x Kodo” with vocaloid Hatsune Miku, and our long-awaited reunion concert with The Voices of South Africa on the main stage at Earth Celebration 2023. The list goes on. It sure was an action-packed year of performances.

In 2023, many of the Kodo concerts that were postponed during the COVID-19 pandemic were able to go ahead at long last. The year was filled with joyous reunions with collaborators and audiences, and feeling of profound gratitude as we shared the sound of our taiko with more people in person.

We’ll begin 2024 with our “Warabe” Europe Tour during the winter months. From spring, we’ll perform throughout Japan with our One Earth Tour and School Workshop Performances, followed by the premiere of “Evermore,” a new work we will present exclusively at Asakusa Public Hall. At the end of this year, we are excited to share another new touring production with you all. At home on Sado Island, we look forward to welcoming locals and visitors to our Special Performances in Shukunegi in spring, and our annual festival Earth Celebration in summer. We will also hold the Kodo Summer Concerts and Autumn Concerts that we launched in 2023, hoping to share more of the charms of Sado Island with everyone who comes along.

With the chaos of wars and the impact of climate change, it is difficult to predict what lies ahead. But I promise we will keep striving to foster a world where myriad cultures and ways of life resonate with one another. Kodo will remain dedicated to its mission to connect people, traveling the globe with taiko under the banner “One Earth.”

I sincerely hope that the year ahead is a great one for all of you.
2024 is the Year of the Wood Dragon, and we’ll do our very best to make it a year of great growth.
I kindly ask for your continued guidance and encouragement.

 


Yuichiro Funabashi
Leader
Kodo Taiko Performing Arts Ensemble

Happy New Year

Jan. 1, 2025

New Year’s Greeting from Kodo Ensemble Leader Yuichiro Funabashi

I wish you all a very happy new year.

On behalf of Kodo, I would first of all like to offer our sincere condolences to everyone who was affected by the Noto Peninsula Earthquake one year ago today. Please know you are in our thoughts as you continue to deal with its after-effects.

Looking back over the past year, we were fortunate to be able to have a wide range of performances throughout Japan, overseas, and here on Sado Island. These concerts included collaborations with guest artists NAKIBEMBE EMBAIRE GROUP from Uganda who joined us at our summer festival Earth Celebration, and Korean drum (Janggu) performer Choi Jaechol who joined us for our year-end touring production, “Mountains.” When we travel, connect with people, get together, eat and play music together, we feel joy and reaffirm what’s important to us. I really felt that firsthand throughout 2024.

In the past few years, Kodo’s solo projects have been on the rise. I can see our members broadening their expressive range through these opportunities. Collaborations and exchange in different fields, such as sports, theater, and dance to name a few, invigorate and inspire us, and teach us a lot. They sometimes make us feel uneasy or scared, and can make us feel conflicted, too. But going outside your own community and putting yourself into another one creates time for you to understand your own abilities and where you are at right now. Also, you get to experience how taiko and music connect and resonate between people, showing that genres and borders pose no obstacle. These experiences bring depth to our group. If I liken Kodo to the human form, I feel these experiences serve as leg and core training, strengthening us from the ground up.

In 2025, we look forward to bringing the sound of taiko to you all, starting in mid-January with our North America tour. In recent years, we’ve been enjoying more opportunities to perform on Sado Island, too. I hope you’ll come and spend some time on the island and immerse yourself in the lifestyle and culture that surrounds us here—the place we call home, where every Kodo performance takes shape.

I hope this year is filled with joy for all of you. We will do our very best to cheer you on throughout the year with the resonant sound of our taiko.
I kindly ask for your continued guidance and encouragement.


Yuichiro Funabashi
Leader
Kodo Taiko Performing Arts Ensemble

Happy New Year 2026!

Jan. 1, 2026

New Year’s Greeting from Kodo Ensemble Leader Yuichiro Funabashi

I wish you all a very happy New Year.
I would like to express my sincere gratitude to the many people in Japan and around the world who supported the Kodo group’s activities throughout last year. Thanks to all of you, we were able to share a wide range of performances throughout 2025, including our One Earth Tour, School Workshop Performance tour, and Earth Celebration concerts. It was truly encouraging for us to share Kodo today with audiences far and wide.

Meanwhile, we are keenly aware that we are touring while serious problems intensify around us. The world is in a state of instability due to climate change, conflicts, and disasters. In Japan, people are grappling with the declining birth rate and aging population, a lack of workers in certain industries, and questions about how to sustain regional events as populations decline. Our home, Sado Island, is one of the many areas facing these challenges. Amidst these global and local situations, this past year has led me to deeply reconsider what it means to be a taiko player, and how Kodo should stand alongside society and engage with it.

You could liken Kodo Apprentice Centre to Kodo’s origins—it’s a place where people study not only taiko technique but also learn important lessons from their daily life, nature, and connections with others. Cleaning, cooking, doing farm work, and working with people in the local village may, at first glance, seem far removed from taiko, but they cultivate the very foundation of our sound. Kodo’s journey since its inception has taught us this, and we are committed to carefully passing these learnings on to the next generation.

Furthermore, I hope that Kodo can harness the unique physicality of taiko players—suppleness, a strong and centered core, and senses finely attuned to others—to create performances while also developing our organization. I want Kodo to be open, working to transcend regions, generations, and cultures. Little by little, I aim to move Kodo away from the image of doing something extraordinary to doing something relatable, so more people can connect with our work and group more easily.

Kodo celebrates its 45th year in 2026. I see this milestone as a new point of departure as Kodo steps into its next 45 years. We are planning a year of commemorative performances, domestic and international tours, projects and workshops on Sado Island, and enhancements that help Kodo Apprentice Centre offer an even more enriching experience.

We will keep striving to make the sound of our taiko envelop you and give you strength. I am personally looking forward to a wide range of new challenges this year as we walk the road ahead together.

I kindly ask for your continued guidance and encouragement in the year to come.

Yuichiro Funabashi
Leader
Kodo Taiko Performing Arts Ensemble

 

“We’ve Got Something in Common!” by Yosuke Kusa

The “Yugen” tour began in Tokyo on May 16 and we gave performances in Tokyo, Niigata and Nagoya on the first leg of this tour.
For this production, the performers and Kodo staff were supported by a numerous people from a wide range of professions.

Amongst all these people from different backgrounds, I found something that six of us have in common.

Front row (from left): Tsunahito Hanayagi, Yuichiro Funabashi
Back row (from left): Erika Ueda, Takefumi Noguchi, Yosuke Kusa, Yusuke Ishikawa

The six of us pictured above all graduated from the same university! Hanayagi-ryu dancer Tsunahito Hanayagi, stage set staff Takefumi Noguchi & Yusuke Ishikawa of Tatsuta Stage Co., Ltd., Kodo performers Yuichiro Funabashi and I, and Kodo publicist Erika Ueda.
There are approximately 780 universities in Japan, so it was quite a coincidence for us all to come together to work on the same production and find that we had all studied at Kyoto University of Art and Design. As the days went by on our tour, we discovered this connection and we were so happy about that. I am still buzzing about it so I thought I would share it on the Kodo Blog.

▲At Shunjuza in Sep. 2016, warming up before our performance.

By the way, Kodo will perform “Spirited Summer” at the theater at Kyoto University of Art and Design, Shunjuza, on July 2.

Also, the Yugen tour will resume on Sep. 2 in Fukuoka and then travel to Kyoto for performances from Sep. 21 through 23.

▲ In the Yugen performances, Yosuke Kusa performs the snake dance.

The path that led me to my current job began in Kyoto, so I know that performing these programmes in Kyoto will have special meaning for me. Please come along to see “Spirited Summer” and “Yugen” in Kyoto!


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