“Ready for ‘Michi’ on Sado Island tomorrow!” by Kenta Nakagome

It’s almost time for our hometown performance of “Kodo One Earth Tour 2019:  Michi,” here on Sado Island!

We spend most of our time on tour away from Sado. Every time I come back to the island, the beautiful nature and scenery, the food and people, they always clear away any fatigue I brought back from the road. This place resets me.
The longer I live on Sado, the stronger I feel a sense of this island nurturing all of us at Kodo.

Our current touring work takes a look back at Kodo classics and gives us an opportunity to reflect on who we are right now. The cast ranges from veterans to newcomers, so it’s a chance for audiences to discover the appeal of a wide range of generations within Kodo today.

I am grateful to everyone on Sado Island who constantly supports our activities. I’ll put my appreciation into each beat at our performance here.
I hope you’ll join us there on November 20!

“Kodo One Earth Tour 2019: Michi”Nov. 20 (Wed), 2019 Sado Island, Niigata

“Shunpuu: The Beginning of Kodo One Earth Music” by Yuta Sumiyoshi

Shunpuu: The Beginning of Kodo One Earth Music

Shunpuu ya, toshi idakite, oka ni tatsu
A haiku by Kyoshi Takahama
(Translation: Spring wind, fighting spirit, standing thus on a hill)

Photo: Takashi OkamotoWhen I was a student, I happened upon this haiku and, for some reason or other, it stayed with me. I used the theme of this poem to compose “Shunpuu.” The haiku is filled with determination that gives the reader a sense of bravery, and even breeziness. I hope people feel powerful and invigorated when they play Shunpuu and when they hear it.

I’d like to take this opportunity to share a few of my thoughts about this new initiative, Kodo One Earth Music. In the taiko community right now, there seems to be a lot of people who learn from one master or teacher. So when it comes to playing a song that someone else created, they may feel a little reluctant for reasons other than performance rights. I hope sharing pieces that anyone is free to play helps remove those invisible barriers. When we perform other people’s compositions, we can experience different values. So little by little, if taiko players exchange their values and feelings, I believe this will lead to the future development of taiko music.

You can’t talk about taiko in terms of relative merit. Just because someone’s taiko playing is technically accomplished, that doesn’t mean it’s enjoyable. And not all musical taiko pieces or performances induce strong emotions. So as taiko players, what should we do? What should we learn and share through this unique instrument? I want us all to sense, think, and discuss that together while we enjoy playing taiko. I’ve put those hopes into this piece that I’ve shared with you all.

Kodo One Earth Music


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