“One Earth Tour Travel Days” by Narumi Matsuda
On our “travel days,” we sometimes have to drive hundreds of kilometers from one theatre to the next. On these long drives, we take several breaks at road stops and expressway service areas. Some people buy coffee, others stretch… each person spends these pitstops as they wish.
Junior member Shunichiro is always holding drumsticks when he’s on the bus. On this travel day, he received advice from two of the seniors in the group, Takeshi and Masaru. I think our travel days provide a good chance for communication amongst our members.
“Performance at ‘With World-Renowned Kodo: Sado, Island of Performing Arts'” by Ryosuke Inada
I performed at “With World-Renowned Kodo: Sado, Island of Performing Arts” on Sado Island. This is a special performance series for tourists who come and stay on Sado.
For our programme, it was a cast of veteran performers with the exception of me, so I felt even more tense more than usual. As soon as our rehearsals began, I did my best to grit my teeth and try keep up with them, letting the sound of each beat they drummed echo into my core. These performances really made me think about putting my heart and soul into my sound to convey my feelings to the audience.
This performance also featured wonderful traditional Sado performing arts such as Ondeko (demon drumming and dance) Sado Okesa (folk song and dance), so I think the audience enjoyed this varied concert, which showed another side to Kodo from our usual performances.
Thank You for Coming to Our “Kodo Special Performances on Sado Island 2014: Autumn”
Kodo Special Performances on Sado Island 2014: Autumn
Many people came to see Kodo’s performances at Shukunegi Community Hall this fall. The performers created a colorful world on stage with a joyful atmosphere to suit the harvest season. Thank you all for coming along!
After each performance, the performers played taiko outside to farewell the audience. The sound of taiko echoed out clearly, high into the sky.
Kodo Special Performances on Sado Island 2014: Autumn
Oct. 2 (Thu)–Oct. 5 (Sun), 2014 Shukunegi Community Hall, Ogi Peninsula, Sado Island, Niigata
Appearing: Kodo (Yoshikazu Fujimoto, Chieko Kojima, Motofumi Yamaguchi, Eiichi Saito, Tomohiro Mitome, Ryosuke Inada)
Special Appearance: Yoshie Abe
“Kodo Apprentices in Fall: Striving for a Place on Stage” by Tomohiro Mitome
This is Tomohiro Mitome, leader of taiko performing arts ensemble Kodo.
Now it is October and it has started to get chilly here on Sado Island.
“Kodo One Earth Tour: Mystery” and the “School Workshop Performance” tour are currently traveling around Japan. Some of you may have seen these performances already or will see one or both of them during these tours. Personally, I performed in the recent “Kodo Special Performances on Sado Island 2014: Autumn” series. Thank you very much to everyone who came along.
This month, I would like to talk about the apprentices studying at Kodo Apprentice Centre in hopes of becoming a member of the Kodo ensemble.
To become a Kodo performer, first you need to complete a two-year apprenticeship at the Kodo Apprentice Centre (which includes passing selection to advance to the second year), and then on completion, you have to pass a final selection to join the Kodo ensemble. Those selected become “junior members” for approximately one year, during which they gain experience on stage and at a range of venues. After this probationary period, there is a further selection stage, which if they pass, they are offered a position as fully-fledged Kodo members.
At the Apprentice Centre, the apprentices get up at 5:00am in summer and 5:30am in winter, carry out cleaning duties, followed by stretching exercises and fitness training. After breakfast, they prepare the instruments required for the day’s practise and do warm-up exercises, then commence their morning practice. After lunch, they have afternoon practice, then after dinner, they practice either together or individually. They go to bed at 10:00pm in summer and 10:30pm in winter. This is their typical daily schedule. Sometimes, they come to Kodo Village, which is 40km away, to practice and do various tasks. On these days, they prepare a packed lunch to cut down on their meal time to accommodate the travel time.
At the Centre, the apprentices need to concentrate on the goal they are working towards, so we think they do not need the distraction of mobile phones and other electronic devices. Direct communication and connecting with people is a fundamental skill that should not rely on texting, email or the internet. Communication without email and texting is similar to the communication we need to have on stage. So that is why mobile phones and internet capable devices of any kind are prohibited during the apprenticeship. The apprentices are very busy practising everyday, except on their one day-off a week, and everyday they feel like they need more time to do everything they need to do. This means that even those of them who previously couldn’t live without mobile phones and computers easily get used to spending their time without them once they enter our intensive apprenticeship programme.
The first year apprentices started the programme in April, and now that about half a year has passed, at last they have gotten used to their new lifestyle and become “apprentice-like” to us. Currently, they are practising Yatai-bayashi and Miyake, which are both representative pieces of the Kodo repertoire, and they are getting to the stage where they can perform these pieces in full. As they work on their basic training, they also have been building up their physical and mental strength.
Basic training means repetition, and while it may not be interesting for them, this is a very important practice period to form their own individual base. If you don’t have solid foundations, when you try to build technique upon that base, it will just crumble away.
For example, the apprentices practise playing Yatai-bayashi for a long time, non-stop, because this piece requires physical strength to play in its entirety. If they don’t have enough power, the rhythm will become out of time, the sound will become weak, and it will be a really poor performance of the piece.
Now, it is very important for the first-year apprentices to do practise that will improve their physical strength, so they make themselves much stronger as they learn pieces and do their basic training repetitively. If you practise properly over and over, then technique will follow.
Meanwhile, the second-year apprentices are maintaining good physical strength, so now during their practice, we are helping them to improve their technique and instead of doing their best individually, we are instructing them to perform together as one powerful ensemble. We spend a lot of time teaching them in detail about making use of power, accents, and nuance in their playing. A good ensemble is created by each performer’s own skills.
Only three months remain for second-year apprentices.
For them, each day is more important than ever before as they work towards their final recital in December, though there are also many fall events and harvest activities for them to fit in around concentrating on their practice. They all want to become Kodo members, so I hope that they will all come together as a team and do their best, without any regrets.
The first-year apprentices will also face selection to become second-year apprentices around the same time, so all the apprentices are nervous going into the three months ahead.
In Japan, there is a saying that it is not easy to improve one’s “mentality, technique and body.” I would like them to remember their hopes at the time when they first arrived at the Apprentice Centre, to imagine themselves standing on the Kodo stage, and to do their very best.
First Intake: Applications must arrive by Nov. 18 (Tue), 2014
*A limited second intake may be offered after the first intake.
“Power from the Students” by Mitsunaga Matsuura
Kodo School Workshop Performance in Yawatahama
Every three years, we are invited to perform at schools in Yawatahama, Ehime. This year, after our performance at Aoishi Junior High, one of the students stood up and said to all of his fellow students, “Let’s cheer for Kodo!!!”
Suddenly, all the students leapt to their feet and gave us a massive cheer. It was so unexpected! We were so surprised and really moved!
We would never have this kind of experience at one of our theater concerts. We will use the power & energy they gave us to fuel our future performances! We hope our performances will make a lasting impression on all of the students we encounter on our tours, too.
▶About Kodo School Workshop Performances
“Ferry to Kyushu” by Kenta Nakagome
After our School Workshop Performances in Yawatahama, Ehime, we took a ferry to Kyushu for our performances in Kumamoto Prefecture.
Kodo Workshop Performances
Sep. – Oct. 2014 Schedule http://www.kodo.or.jp/oet/index_en.html#schedule09b
“Member Notice: Yosuke Oda’s Recent Nuptials”
Yosuke Oda married Harei Aine on August 28, 2014.
We sincerely hope that you will all join us in congratulating the happy couple.
Harei Aine starred in the Takarazuka Revue as a male role performer until 2012 and has been a freelance artist ever since. In 2013, she collaborated with Kodo as a special guest artist in “Amaterasu,” portraying Ameno-uzume. We are delighted that she now has an even greater connection to Kodo and Sado Island and we wish Harei Aine and Yosuke Oda a very happy future together.
Photos: Takashi Okamoto
Harei Aine Official Website (in Japanese)
http://aineharei.com/
“Rehearsals for ‘Kodo Special Performances on Sado Island'” by Tsugumi Yamanaka
Rehearsals for ‘Kodo Special Performances on Sado Island 2014: Autumn’
We had rehearsals at Shukunegi Community Hall to prepare for the “Kodo Special Performances” centered around Kodo’s distinguished members. Yoshie Abe will sing a charming rendition of Isobushi. In Kawasaki, Chieko and Yoshie will dance to an accompaniment by the male performers. Ryosuke will give an energetic, youthful performance of Onidaiko (demon drumming dance).
One of the highlights is O-daiko, which will be performed by Yoshikazu Fujimoto, Eiichi Saito, and Tomohiro Mitome.
Don’t miss it! We are really looking forward to seeing everyone there!
Kodo Special Performances on Sado Island 2014: Autumn
Oct. 2 (Thu)–Oct. 5 (Sun), 2014 Shukunegi Community Hall, Ogi Peninsula, Sado Island, Niigata
Appearing: Kodo (Yoshikazu Fujimoto, Chieko Kojima, Motofumi Yamaguchi, Eiichi Saito, Tomohiro Mitome, Ryosuke Inada)
Special Appearance: Yoshie Abe
Times: Oct. 2 (Thu) 15:00, Oct. 3 (Fri) 15:00, Oct. 4 (Sat) 11:00, 15:00, Oct. 5 (Sun) 11:00, 15:00
Inquiries:
Kodo Cultural Foundation Tel. 0259-81-4100 (Mon–Fri, 9:30 – 17:00)
Sado Island Taiko Centre Tel. 0259-86-2320 (Tue–Sun, 9:00 – 17:00)
“My Appearance in ‘Kodo Special Performances on Sado Island 2014: Autumn'” by Yoshie Abe
Hello, everyone! This is Yoshie Abe.
In August, I returned to the stage for Earth Celebration’s “EC Theatre.” This month, I will take the stage again to appear in the “Kodo Special Performances on Sado Island 2014: Autumn.” I will join Chieko Kojima to perform one of her signature pieces…can you guess which one? Please come along and find out!
The performances started today. I look forward to seeing everyone at the venue over the next three days, too!
Kodo Special Performances on Sado Island 2014: Autumn
Oct. 2 (Thu)–Oct. 5 (Sun), 2014 Shukunegi Community Hall, Ogi Peninsula, Sado Island, Niigata
Appearing: Kodo (Yoshikazu Fujimoto, Chieko Kojima, Motofumi Yamaguchi, Eiichi Saito, Tomohiro Mitome, Ryosuke Inada)
Special Appearance: Yoshie Abe
Times: Oct. 2 (Thu) 15:00, Oct. 3 (Fri) 15:00, Oct. 4 (Sat) 11:00, 15:00, Oct. 5 (Sun) 11:00, 15:00
Inquiries:
Kodo Cultural Foundation Tel. 0259-81-4100 (Mon–Fri, 9:30 – 17:00)
Sado Island Taiko Centre Tel. 0259-86-2320 (Tue–Sun, 9:00 – 17:00)
“Sightseeing at Abashiri Prison Museum” by Narumi Matsuda
We went out sightseeing during our Hokkaido Tour and paid a visit to Abashiri Prison Museum. It was very interesting to see their informative exhibition. We spent about 2 hours there, engrossed in the displays.
Looking at farming tools, the Kodo members, who were all formerly apprentices, said:
“We used to use that, didn’t we?”
“Yeah, we did, but it was hard to use.”
“The best way to use it is…”
They talked about the equipment with such familiarity.
I admired them for their life skills and knowledge, which they had obviously acquired during their apprenticeship.