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Eri Uchida and “Mystery”: An Interview by Johnny Wales


“Kodo One Earth Tour 2014: Mystery”

An Interview with Eri Uchida by Johnny Wales

Eri Uchida, Kodo Rehearsal Hall

Eri Uchida, Kodo Rehearsal Hall

Eri Uchida was born in Aichi Prefecture in central Japan and is in her sixth year with Kodo. She specializes in taiko but also sings, plays shinobue (bamboo flute) and dances. Here she discusses with Johnny Wales Kodo’s newest production “Mystery” and working with Tamasaburo Bando.

  Our new main stage performance is called “Kodo One Earth Tour: Mystery.” It is directed by Tamasaburo Bando. The pieces were written by Kodo members and are almost all new. For me, the principal difference between his first One Earth Tour production “Legend” and the new Mystery is that in Mystery the women are featured more than ever before. In traditional Kodo performances the programme usually builds up to Yataibayashi and O-daiko so the audience leaves the theatre with a lasting impression of the male performers. I think this performance leaves an equally feminine impression. In the early stages of production we worked out a lot of the business for ourselves. At first we thought, ‘Is this going to work on stage?’ I think there is more theatricality in this performance than usual.

  I have two pieces in Mystery, Harewataru (meaning “clearing skies”) which is a piece with mainly flute and taiko, and opening up the second act is a piece I composed called Chit Chat. I wanted to express the feeling of girls just having a good chin wag, so the curtain opens to a scene of the women playing and laughing together.

Chit Chat (From left: Maya Minowa, Mariko Omi, Eri Uchida, Akiko Ando)

Chit Chat
(From left: Maya Minowa, Mariko Omi, Eri Uchida, Akiko Ando)

  About a year ago Tamasaburo asked us all to submit ideas and compositions for consideration on the theme of ‘mystery’. I had never composed anything before but submitted some pieces anyway and what do you know? They made the cut! It has really made me want to compose more in the future. I discovered that in order to create something that expresses yourself, you don’t have to over think it. However to make something really good I have a lot of studying to do.

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“On the Road Again” by Ryosuke Inada


Photo: Erika Ueda

The Workshop Performance team just got back 3 days ago, but today they set off on the road again. This time they’ll perform at “Art Mix Japan 2014” and other events. We saw them off playing taiko and cheered them on, in a somewhat macho way.

Do your best!

We promise to practise hard while you’re away!

▼Kodo Performance at “Art Mix Japan 2014”
http://www.kodo.or.jp/news/20140405artmixjapan_en.html


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