{"id":3615,"date":"2015-07-18T15:57:10","date_gmt":"2015-07-18T06:57:10","guid":{"rendered":"http:\/\/kodo.or.jp\/blog_en\/?p=3615"},"modified":"2015-07-18T16:03:13","modified_gmt":"2015-07-18T07:03:13","slug":"ikkan-fugetsu-vol-2-tomoshibi-by-motofumi-yamaguchi","status":"publish","type":"post","link":"http:\/\/www.kodo.or.jp\/blog_en\/posts-by-kodo-members\/20150718_3615.html","title":{"rendered":"&#8220;Ikkan Fugetsu Vol. 2: Tomoshibi&#8221; by Motofumi Yamaguchi"},"content":{"rendered":"<div class='wp_social_bookmarking_light'>        <div class=\"wsbl_facebook_like\"><div id=\"fb-root\"><\/div><fb:like href=\"http:\/\/www.kodo.or.jp\/blog_en\/posts-by-kodo-members\/20150718_3615.html\" layout=\"button_count\" action=\"recommend\" width=\"100\" share=\"false\" show_faces=\"false\" ><\/fb:like><\/div>        <div class=\"wsbl_twitter\"><a href=\"https:\/\/twitter.com\/share\" class=\"twitter-share-button\" data-url=\"http:\/\/www.kodo.or.jp\/blog_en\/posts-by-kodo-members\/20150718_3615.html\" data-text=\"&#8220;Ikkan Fugetsu Vol. 2: Tomoshibi&#8221; by Motofumi Yamaguchi\" data-lang=\"en\">Tweet<\/a><\/div><\/div>\n<br class='wp_social_bookmarking_light_clear' \/>\n<h2 style=\"text-align: center;\">Ikkan Fugetsu Vol. 2: Tomoshibi<\/h2>\n<p>On July 10, my second album\u00a0&#8220;Ikkan Fugetsu Vol. 2: Tomoshibi&#8221; was released at long last! Thank you for your patience and support, everyone.<\/p>\n<p>For this album, I didn&#8217;t limit myself to playing Japanese songs since I play a Japanese bamboo flute&#8230; I decided to include a wide range of songs that I like, ranging from Russian folksongs to American sprituals, from my own originals to Uyghur folksongs.<\/p>\n<p>I invited Mikio Tsuji (eleven-string alto guitar), Yumi Nogami (piano &amp; vocals), and Yoshie Abe (tategoto [vertical koto harp] &amp; vocals) to collaborate with me on the album. They are all such unique performers and they shared their talents without restraint. I chose my bamboo flute, either <span style=\"font-style: italic;\">makobue<\/span> or <span style=\"font-style: italic;\">shinobue<\/span>, especially to suit each song&#8230; but actually, I really had no choice but to play a shinobue for many of the pieces to suit the delicate tones of Mr. Tsuji&#8217;s guitar and Ms. Abe&#8217;s harp.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-6861\" src=\"http:\/\/www.kodo.or.jp\/blog\/wp\/wp-content\/uploads\/2015\/07\/1157a36c4d0e2d11b1e252cd6b40bb98-340x340.jpg\" alt=\"\u4e00\u7ba1\u98a8\u6708Vol.2\u3068\u3082\u3057\u3073\u30b8\u30e3\u30b1\u30c3\u30c820150630_800px\" width=\"340\" height=\"340\" \/><\/p>\n<p>Just like on my first album, the last track is kind of like a bonus track, so to speak. I dedicated this track to the late Akira Nino, the pianist who performed on my debut album. I thought the lyrics of &#8220;Nobody Knows the Trouble I&#8217;ve Seen&#8221; sounded like his inner monologue during his life, so I chose this piece for him. When you listen to it, when the lyrics say the word &#8220;Lord,&#8221; please think of the word &#8220;Music.&#8221;<\/p>\n<p>By the way, here&#8217;s the word on the street:<\/p>\n<p>&#8220;Music these days is all downloadable, cheap and convenient.&#8221;<br \/>\n&#8220;Not at all, it is better to buy a CD that spins and have a cover\u00a0to hold and read.&#8221;<\/p>\n<p>And here&#8217;s what I say:<\/p>\n<p>&#8220;One or the other, or both, I don&#8217;t mind&#8230; just please listen to the music.&#8221;<\/p>\n<div id=\"attachment_6941\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6941\" class=\"wp-image-6941 size-large\" src=\"http:\/\/www.kodo.or.jp\/blog\/wp\/wp-content\/uploads\/2015\/07\/tsD700_DSC6198_1200px-680x510.jpg\" alt=\"tsD700_DSC6198_1200px\" width=\"640\" height=\"480\" \/><p id=\"caption-attachment-6941\" class=\"wp-caption-text\">At the &#8220;Gin-iro no Kaze&#8221; Concert on Dec. 18, 2015. From left: Yumi Nogami, Kosuke Urushikubo (Kodo), Motofumi Yamaguchi, Yoshie Abe, and Mikio Tsuji.<\/p><\/div>\n<p><a href=\"http:\/\/www.kodo.or.jp\/member\/motofumi_ja.html\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-6943 alignright\" src=\"http:\/\/www.kodo.or.jp\/blog\/wp\/wp-content\/uploads\/2015\/07\/motofumiyamaguchi_s.jpg\" alt=\"motofumiyamaguchi_s\" width=\"130\" height=\"130\" \/><\/a><\/p>\n<p><strong>Discography | Ikkan Fugetsu Vol. 2: Tomoshibi<\/strong><\/p>\n<p><a href=\"http:\/\/www.kodo.or.jp\/discography\/od012_en.html\">http:\/\/www.kodo.or.jp\/discography\/od012_en.html<\/a><\/p>\n<p><a href=\"http:\/\/www.kodo.or.jp\/store\/index.html\"><img decoding=\"async\" class=\"alignleft  wp-image-1284\" src=\"http:\/\/www.kodo.or.jp\/blog\/wp\/wp-content\/uploads\/2014\/05\/kodo2.gif\" alt=\"kodo2\" width=\"90\" \/><\/a><strong>[CD] Motofumi Yamaguchi &#8220;Ikkan Fugetsu Vol. 2: Tomoshibi&#8221; at Kodo Online Store<\/strong><\/p>\n<p><a href=\"http:\/\/kodo.shop.multilingualcart.com\/goods_en_jpy_80.html\">http:\/\/kodo.shop.multilingualcart.com\/goods_en_jpy_80.html<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ikkan Fugetsu Vol. 2: Tomoshibi On July 10, my second album\u00a0&#8220;Ikkan Fugetsu Vol. 2: Tomoshibi&#8221; was released at long last! Thank you for your patience and support, everyone. For this album, I didn&#8217;t limit myself to playing Japanese songs since I play a Japanese bamboo flute&#8230; I decided to include a wide range of songs that I like, ranging from Russian folksongs to American sprituals, from my own originals to Uyghur folksongs. I invited Mikio Tsuji (eleven-string alto guitar), Yumi Nogami (piano &amp; vocals), and Yoshie Abe (tategoto [vertical koto harp] &amp; vocals) to collaborate with me on the album. They are all such unique performers and they shared their &#8230; <a class=\"more\" href=\"http:\/\/www.kodo.or.jp\/blog_en\/posts-by-kodo-members\/20150718_3615.html\">\u25b6\u7d9a\u304d\u3092\u8aad\u3080<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[109,19,25,312,24,43],"_links":{"self":[{"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/posts\/3615"}],"collection":[{"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/comments?post=3615"}],"version-history":[{"count":9,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/posts\/3615\/revisions"}],"predecessor-version":[{"id":3634,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/posts\/3615\/revisions\/3634"}],"wp:attachment":[{"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/media?parent=3615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/categories?post=3615"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/tags?post=3615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}