{"id":1810,"date":"2014-11-24T19:45:55","date_gmt":"2014-11-24T10:45:55","guid":{"rendered":"http:\/\/kodo.or.jp\/blog_en\/?p=1810"},"modified":"2014-11-25T06:55:57","modified_gmt":"2014-11-24T21:55:57","slug":"kodo-one-earth-tour-eternity-cast-interview","status":"publish","type":"post","link":"http:\/\/www.kodo.or.jp\/blog_en\/production-info\/20141124_1810.html","title":{"rendered":"“Kodo One Earth Tour: Eternity” Cast Interviews"},"content":{"rendered":"
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“Kodo One Earth Tour: Eternity”<\/h2>\n

We are proud to present the third work directed by artistic director Tamasaburo Bando: an evolutionary performance entitled “Eternity.” This production will premiere on Sado Island in November and tour around the major cities in Japan from late November through December. During their intense rehearsals, we interviewed two of the cast members: Mitsuru Ishizuka and Tsuyoshi Maeda.<\/p>\n

Interviewees: Mitsuru Ishizuka, Tsuyoshi Maeda
\nPhotos: Takashi Okamoto
\nFrom Monthly Japanese Newsletter “Kodo”<\/a> Vol. 337 issued in July, 2014<\/h5>\n
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When I was mulling over the theme of eternity, it occurred to me that “the workings of nature” unfold in spiral patterns. By enumerating “the workings of nature,” maybe we could express “eternity.” Strictly speaking there probably is no such thing as “eternity,” but as things that are connected to it, there’s dawn, light, rain, wind, clouds, waves, stars, dusk, the night sky, and amongst all these, I saw “human beings.”<\/span><\/span><\/p>\n

Tamasaburo Bando<\/p>\n

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Mitsuru Ishizuka<\/h2>\n

The Beginnings of the Third Work by our Artistic Director<\/strong><\/h3>\n

The creation of this production started\u00a0without any plan or scenario: it began with the words, “So, what shall we do?” So, it felt new, scary, and exhilarating. We have been working with Tamasaburo Bando for more than ten years, it has been three years since he became our artistic director, and at last we reached a point where we could create a programme with him from scratch. I think Kodo has entered into new territory and this production will be an unprecedented taiko concert.<\/p>\n

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A Multitude of<\/strong>\u00a0<\/strong>Musical Instruments<\/strong><\/h3>\n

Kodo is primarily a group that gives concerts that let audiences listen to taiko. But I think the productions directed by Tamasaburo, first “Legend” and then “Mystery,” used taiko and performing arts as a base and then added more visual elements to create concerts for audiences to watch.<\/p>\n

I feel that his third programme, “Eternity,”\u00a0simply depicts human beings, rather than being a “concert” or a “show.”\u00a0Because of that,\u00a0there are less pieces where we play taiko with all our might, and more pieces with all kinds of small instruments, which we use express our various emotions. With a multitude of instruments, we portray a range of scenes such as having a conversation, taking a nap, and falling rain.<\/p>\n

When\u00a0I first heard the name “Eternity,” I thought the scale of the theme was so big. But now, in a sense, I think this is going to be our most human, life-sized performance to date.<\/p>\n

\"mitsuru_s\"<\/a><\/p>\n

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Tsuyoshi Maeda<\/h2>\n

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New Eternity-Themed Pieces<\/strong><\/h3>\n

For me, the first thing that sprung to mind as a motif was “nature.” The concept of eternity is hard for me to grasp, but it made me things that create a span like the workings of nature. It also made me think of “time.”\u00a0Music that loops and creates a trance also creates that sort of span, so this production features new pieces with those kinds of repetitive rhythms. I composed a piece for Eternity called Yogiri<\/span> (Night Fog), which is played by intently beating the taiko and playing bonang (Indonesian percussion instruments) and rin gongs (Buddhist bells). I created it with the hope that even when this piece ends, it feels like it carries on; even when the sound ends, the musical realm lingers eternally.<\/p>\n

Many of the other pieces composed by Kodo members for this programme were also melody-based. I guess that is because we all were trying to express nature and scenery. Perhaps “eternity” makes us all imagine something enormous that cannot be expressed just by looping rhythms. For me, the word “eternity” conjures such a massive image, so it’s hard to\u00a0comprehend it and connect it to more concrete ideas. It is really difficult to find answers when I start pondering the question, “What is eternity?”<\/p>\n

\"tsuyoshi_s\"<\/a><\/p>\n

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Kodo One Earth Tour: Eternity<\/a><\/p>\n

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Nov. 20 (Thu) Amusement Sado, Sado Is., Niigata
\nNov. 30 (Sun) City Hall Plaza \u201cAore Nagaoka,\u201d Nagaoka, Niigata
\n\u2013\u201dHeartbeat Project\u201d Special Version\u2013
\nDec. 2 (Tue) Muza Kawasaki Symphony Hall, Kawasaki, Kanagawa
\nDec. 4 (Thu) Aichi Prefectural Arts Theater Concert Hall, Nagoya, Aichi
\nDec. 6 (Sat) & 7 (Sun) NHK Osaka Hall, Osaka City
\nDec. 10 (Wed) Okayama Civic Hall, Okayama City
\nDec. 12 (Fri) Ueno Gakuen Hall, Hiroshima City
\nDec. 15 (Mon) & 16 (Tue) Hakataza Theater, Fukuoka City
\nDec. 19 (Fri)\u201323 (Tue\/Public Hol.) Bunkyo Civic Hall, Bunkyo Ward, Tokyo
\nDec. 25 (Thu) Niigata Prefectural Civic Center, Niigata City<\/p>\n

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“Kodo One Earth Tour: Eternity” We are proud to present the third work directed by artistic director Tamasaburo Bando: an evolutionary performance entitled “Eternity.” This production will premiere on Sado Island in November and tour around the major cities in Japan from late November through December. During their intense rehearsals, we interviewed two of the cast members: Mitsuru Ishizuka and Tsuyoshi Maeda. Interviewees: Mitsuru Ishizuka, Tsuyoshi Maeda Photos: Takashi Okamoto From Monthly Japanese Newsletter “Kodo” Vol. 337 issued in July, 2014 When I was mulling over the theme of eternity, it occurred to me that “the workings of nature” unfold in spiral patterns. By enumerating “the workings of nature,” maybe … \u25b6\u7d9a\u304d\u3092\u8aad\u3080<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[102,6,41,64,39],"_links":{"self":[{"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/posts\/1810"}],"collection":[{"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/comments?post=1810"}],"version-history":[{"count":16,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/posts\/1810\/revisions"}],"predecessor-version":[{"id":2255,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/posts\/1810\/revisions\/2255"}],"wp:attachment":[{"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/media?parent=1810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/categories?post=1810"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kodo.or.jp\/blog_en\/wp-json\/wp\/v2\/tags?post=1810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}